Tuesday, May 31, 2011

Miss Ripley



Title: 리플리 / Miss Ripley
Chinese Title : 雷普利小姐
Also Known as : Miss Ripley Who I Loved…
Previously known as: 굿바이 미스 리플리 / Goodbye Miss Ripley
Genre: Melodrama, romance
Episodes: 16
Broadcast network: MBC
Broadcast period: 2011-May-30 to 2011-July-19
Air time: Monday & Tuesday 21:55


Synopsis
Two very different men fall in love with Jang Mi Ri, a woman whose life is a complicated web of lies, propelled by her greedy desires that stem from an unfortunate childhood. Jang Myung Hoon is an ambitious hotelier who maintains perfect control of himself and his life, while Yutaka is the warm and gentle heir of a Korean-Japanese hotel conglomerate. Their love for Mi Ri and her tragic ambition eventually leads them down the path of destruction.
Miss Ripley is based on the real life case of Shin Jung Ah, a university professor and art curator at Dongguk University who was discovered to have forged her creditials in order to get hired, with the help of her boyfriend (then presidential secretary) Byun Yang Kyoon, and embezzled funds from the art gallery’s corporate sponsorship.

Cast
Lee Da Hae as Jang Mi Ri
- Park Ha Young as young Mi Ri
Kim Seung Woo as Jang Myung Hoon
Micky Yoochun as Yukata
Kang Hye Jung as Na Hee Joo

Extended Cast
Hwang Ji Hyun as Lee Gwi Yeon
Choi Myung Gil as Lee Hwa
Lee Sang Yeob as Ha Chul Jin
Song Jae Ho as President Lee
Jang Yong as Song In Soo
Kim Na Woon as Kang Shi Young
Kim Chang Wan as Director Choi
Baek Bong Ki as as Deputy Manager Kim
Lee Soo Mi (이수미) as Jo Eun Bom
Kim Jung Tae as Hirayama
Min Joon Hyun as Manager Han
Park Ji Yeon as Yuu (cameo)

Production Credits
Producer: Han Hee
Director: Choi Yi Sup, Choi Won Suk
Screenwriter: Kim Sun Young

Pasta

Title: 파스타 / Pasta
Chinese Title : 義大利麵
Genre: Romance
Episodes: 20
Broadcast Network: MBC
Broadcast period: 2010-Jan-04 to 2010-March-09
Air time: Mondays & Tuesdays 21:55


Synopsis
“Pasta” covers the dreams and success of a young woman who aspires to become an elite chef at La Sfera restaurant.
Seo Yoo Kyung started her career as a kitchen assistant at La Sfera restaurant. She eventually works her way up to become a chef.
Choi Hyun Wook is the top chef at La Sfera restaurant. He studied the culinary arts in Italy and started out as a chef assistant at a hotel in Sicily. Hyun Wook eventually worked his way up to become the most widely recognized Italian chef in Korea.

Cast
Gong Hyo Jin as Seo Yoo Kyung
Lee Sun Gyun as Choi Hyun Wook
Lee Ha Nui as Oh Sae Young
Alex as Kim San

Extended Cast
Jang Yong as Seo Jong Gyu (Yoo Kyung’s father)
Kim Dong Hee as Seo Yoo Shik (Yoo Kyung’s brother)
Song Ok Sook as (Yoo Kyung’s mother)
Byun Jung Soo as Kim Kang (Kim San’s sister)
Choi Jae Hwan as Jung Eun Soo
No Min Woo as Philip
Hyun Woo as Lee Ji Hoon
Baek Bong Ki as Min Seung Jae
Heo Tae Hee as Han Sang Sik
Yoon Yong Hyun as Kwang Tae
Kim Tae Ho as Sun Woo Duk
Lee Hyung Chul as Geum Suk Ho
Jo Sang Ki as Jung Ho Nam
Ha Jae Sook as Lee Hee Joo
Lee Sung Min as Seol Joon Suk
Son Sung Yoon as Park Chan Hee
Jung Da Hye as Park Mi Hee
Choi Min Sung as Ne Mo
Ryu Seung Bum (cameo, ep9)

Production Credits
Director: Kwan Seok Jang (권석장)
Screenwriter: Seo Sook Hyang (서숙향)

Awards
- 2010 MBC Drama Awards: Top Excellence Award, Actress (Gong Hyo Jin)
- 2010 MBC Drama Awards: Best Couple Award (Lee Sun Gyun and Gong Hyo Jin)

The Greatest Love

Title: 최고의 사랑 / Choegoui Sarang / The Greatest Love
Chinese Title : 最伟大的爱 / 最佳爱情
Also known as: Best Love
Previously known as: 애정의 발견 / The Discovery of Affection
Genre: Romance, comedy
Episodes: 16
Broadcast network: MBC
Broadcast period: 2011-May-04 to 2011-June-23
Air time: Wednesday and Thursday 21:55


Synopsis
Ae Jung is a female band member who is already over the hill. When she enters a variety show to pretend marriage with the top star Jin, she gets entangled in a love triangle along with her ex-bandmate Kang Se Ri. Yoon Pil Joo is a doctor of oriental medicine who has no interest in the entertainment industry but meets Ae Jung by chance and falls for her.

Cast
Gong Hyo Jin as Goo Ae Jung
Cha Seung Won as Dokko Jin
Yoo In Na as Kang Se Ri
Yoon Kye Sang as Yoon Pil Joo

Extended Cast
Choi Sung Min as Kim Eun Ho PD
Kim Mi Jin as Producer Han Myung Jung
Jung Man Shik (정만식) as Director Jang
Ryu Hyo Young as Ha Roo Mi
Han Jin Hee as Goo Ja Chul
Jung Joon Ha as Goo Ae Wan (Ae Jung’s brother/manager)
Park Won Sook as Pil Joo’s mother
Choi Hwa Jung as Representative Moon
Lee Hee Jin as Jenny
Im Ji Kyu as Kim Jae Suk
Bae Seul Gi as Han Mi Na
Yang Han Yeol (양한열) as Goo Hyung Kyu

Cameos
Lee Byung Jin (이병진)
Jang Hang Joon
Jung Doo Hong (정두홍)
Kim Goo Ra (김구라)
Lee Hwi Jae
Park Mi Sun
Lee Kyung Shil
Jo Hyung Gi (조형기)
Kim Ji Sun (김지선)
Jo Hye Ryun
Ji Sang Ryul
Kim Hyun Chul (김현철)
Park Kyung Rim
Kim Shin Young (김신영)

Production Credits
Producer: Kim Jin Man
Screenwriter: Hong Mi Ran, Hong Jung Eun
Director: Park Hong Kyun, Lee Dong Yoon (이동윤)

City Hunter

Title: 시티헌터 / City Hunter
Chinese Title: 城市猎人
Genre: Romance
Episodes: 20
Broadcast network: SBS
Broadcast period: 2011-May-25 to 2011-July-28
Air time: Wednesday & Thursday 21:55


Synopsis
‘City Hunter’ is an original script based on the world-famous novel by Japan’s Tsukasa Hojo. Since it became public that Korea would be the first remake of this story into a drama, ‘City Hunter’ has been receiving worldwide attention. ‘City Hunter’ has switched the setting from Tokyo 1980 to Seoul 2011, and according to the original story structure, the protagonist becomes a city hunter and his character develops while resolving gratifying cases.
Lee Yoon Sung (Lee Min Ho) works at the Blue House’s National Communication Network Team and received his Ph.D at M.I.T. Kim Na Na (Park Min Young), a former judo athlete who works as a bodyguard for the President’s residence, the Blue House. Kim Na Na will eventually be involved in a love triangle with Lee Yoon Sung and prosecutor Lee Joon Hyuk (Kim Young Joo). The drama also marks Goo Ha Ra’s acting debut and she will play the role of the President’s daughter, Choi Da Hye.

Cast
Lee Min Ho as Lee Yoon Sung
Park Min Young as Kim Na Na
Lee Joon Hyuk as Kim Young Joo
Hwang Sun Hee as Jin Soo Hee
Goo Ha Ra as Choi Da Hye

Extended Cast
Kim Sang Joong as Lee Jin Pyo
Chun Ho Jin as Choi Eung Chan
Kim Sang Ho as Bae Shik Joong
Park Sang Min as Park Moo Yul
Kim Mi Sook as Lee Kyung Hee
Lee Seung Hyung as Song Young Duk
Yang Jin Sung (양진성) as Shin Eun Ah
Lee Kwang Soo as Go Ki Joon
Kim Byung Choon as Jang Woo Hyun
Shin Young Jin (신영진) as Kim Mi Ok
Lee Hyo Jung as Lee Kyung Wan
Choi Jung Woo as Chun Jae Man
Choi Il Hwa as Kim Jong Shik
Choi Sang Hoon as Seo Yong Hak

Production Credits
Original work: Manga by Tsukasa Hojo
Producer: Kim Young Sup
Director: Jin Hyuk
Screenwriter: Hwang Eun Kyung, Choi Soo Jin (최수진)

God’s Quiz (Season 2)







Title: 신의 퀴즈 시즌2 / Shin-ui Quiz 2 / God’s Quiz (Season 2)
Chinese Title : 神的测验 2
Genre: Medical, crime, mystery
Episodes: 12
Broadcast network: OCN
Broadcast period: 2011-June-10 to 2011-Aug-26
Air time: Friday 24:00
Related Series : God’s Quiz (Season 1)


Synopsis
Han Jin Woo and his team of medical experts continue to solve mysterious deaths and cases larger in scale and more intractable than before, including the truth of a rare disease that had been hidden behind seemingly simple crimes.

Cast
Ryu Duk Hwan as Han Jin Woo
Yoon Joo Hee as Kang Kyung Hee
Choi Jung Woo as Jang Kyu Tae
Park Joon Myunas Jo Young Shil
Na Yoon as Kim Sung Do

Production Credits
Production Company: Eight Works
Director: Lee Jung Pyo (이정표)
Screenwriter: Park Jae Bum (박재범)

Monday, May 30, 2011

Re-encounter

혜화,동(童) (Hye-hwa, Dong)

Directed by Min Yong-geun (민용근)

Screenplay by Min Yong-geun (민용근)

•Drama

108min | Release date in South Korea : 2011/02/17

Previously known "Hye-hwa, Child" on HanCinema
Synopsis


Opening Date : Feb 17, 2011

Previously known 'Hye-hwa, Child' on HanCinema
Synopsis
To recover memories from five years ago…
Can our story start again?
18 year-old Hye-hwa and Han-soo were lovers but as soon as Hye-hwa got pregnant Han-soo disappeared completely. Five years later, Han-soo suddenly appears in front of Hye-hwa and the two of them find out their baby is still alive. Hye-hwa doesn’t believe Han-soo. However, after finding out her child had been adopted, she can’t help but weaken.
____________

“Re-encounter” drew favorable reviews from critics and audiences alike when it was screened at film festivals last year.

At the 15th Pusan International Film Festival it won Best Director in the Korean Cinema Today: Vision section and at the 36th Seoul Independent Film Festival it won Best Picture, the Independent Star Award (actress) and the Kodak Award.

The film follows the story of Hye-hwa (Yoo Da-in) and Han-soo (Yoo Yeon-seok).

The two fall in love at 18, but when Hye-hwa reports she is pregnant Han-soo disappears to Canada.

Five years later, Han-soo shows up with the news that their child, who Hye-hwa was told died in childbirth, is alive and has been adopted.

Hye-hwa is struck upon learning the news, and she is forced to relive the pain of her past, but in the end she decides to search for her child.

Director Min Yong-geun, who also wrote the script, took a risk in deciding not to rely upon top stars to tell his story.

The actors’ talents shine through and their performances were well-received by film critics.

The movie hits theaters on Feb. 17. The Korean title of the film, “Hye-hwa, Dong,” is not related to the Hyehwa-dong neighborhood in central Seoul.

Late Blossom

그대를 사랑합니다 (Geu-dae-leul Sa-rang-hab-ni-da)

Directed by Choo Chang-min (추창민)

Screenplay by Choo Chang-min (추창민), Kim Sang-soo (김상수), Kim Yong-deok (김용덕), Lee Man-hee (이만희)

•Drama •Melodrama •Romance

118min | Release date in South Korea : 2011/02/17

Previously known as "I Love You - 2010" on HanCinema
Synopsis 
 

Opening Date : Feb 17, 2011

 This couple is…
Man-suk and Lee-pun meets in an alleyway on a warm snowy day.
It continues to become a love that brings out laughter just by thinking of the loved one.

and the other couple is…
Goon-bong loves the way wife Soon asks “What did you do today?” on his back. Goon-bong and Soon, who have loved only one person their whole lives.


Super Monkey Returns

 

서유기 리턴즈 (Seo-yoo-gi Ri-teon-jeu)

 Directed by Sin Dong-yeop (신동엽)

Screenplay by Lim Jeong-yeon (임정연), Sin Dong-yeop (신동엽)

•Action •Adventure •Family •Science-Fiction

79min | Release date in South Korea : 2011/02/17
The Samzang Monk, Sonokong, and Jupalge have venture to India to save the the Buddist sanctum, an original ancient Chinese novel. Kim Byeong-man from “GAG Concert” will be playing Sonokong.


Opening Date : Feb 17, 2011

Saturday, May 28, 2011

Running 7 Dogs: Everyone's Chasing Everyone But Nobody's Getting Anywhere

In an intro to an anthology of his avant garde plays, Richard Foreman writes how he most enjoys the beginnings of movies before you can figure out what's going on. Once the plot becomes apparent, the film becomes less engaging. At least, to him. In that case, he'd probably love Running 7 Dogs because the first half of the movie bounces so quickly from scene to scene and introduces so many characters before any one of them is truly established that you really aren't sure who's who and what's what for a long, long time. Even after you've deduced the basics, Running 7 Dog's logic still challenges passive viewing because it so often strains credibility.

What do you do when someone has sex with your girlfriend? You hire someone to chainsaw his leg off then buy her a ranch. How do you respond if someone asks to see your police ID? You hit him in the head with a cue ball. Where do you go to meet the love of your life? The restroom of a gas station, not just once but twice. Admittedly, this movie doesn't improve after you've learned the personal histories and current motivations of its various characters but at least it does make clear that writer-director Kim Joo-man does have a story to tell. This isn't experimental filmmaking; it's just convoluted.

Indebted to Pulp Fiction with its extreme violence and central flashback, Kim's movie has to do with a cabbie (Jeong So-yeong) who accidentally has a hit-and-run accident that has little effect on his blase attitude toward life but suddenly puts him in possession of hundreds and hundreds of American hundred dollar bills. As he struggles to figure out a way to exchange the money for Korean currency, he leaves the cash with his girlfriend (Lee Jee-hyeon), a pretty tough convenience store clerk who doesn't take flack from her customers, her co-workers or any of the criminals she meets at the checkout counter. Working day after day under fluorescent lights hasn't dimmed her sense of self-righteousness. She might not be a master of tae kwon do but she's a fighter, a woman who's not afraid to bite your ear off if you try to rough her up. No wonder her boyfriend likes her so much. She's resourceful, loyal, forward-thinking, and looks good in a polyester uniform. That's not easy. At the end of Running 7 Dogs, you hope she takes all that money and buys herself a smashing new wardrobe. She deserves it!

Saturday, May 21, 2011

H: When Anti-Abortionists End Up in Jail, They Impregnate Their Ideas in Others

H, Lee Jong-hyuk's moody procedural drama about an imprisoned serial killer who remains unstoppable even behind bars, isn't particularly hard to figure out. You quickly discern that Detective Kang (Ji Jin-hee) is involved in the slew of murders at the movie's center and that the clues pointing to other suspects are just there to throw you — and his fashionably crossdressing female partner Detective Lee (Yum Jung-ah) — off the trail. Lee, like you, is not so easily fooled though. Unlike the lead police duo's main sidekick — fat, jolly and admittedly none-too-bright Detective Park (Sung ji-ru), she's smarter than your average man-in-blue; she's a circumspect investigator who gains more by thinking hard while coolly smoking a cigarette (that never shortens over time) than she would get by grilling her perp Shin-hyun (Cho Seung-woo) in an effort to find out what's driving him to slit the throats and cut off the ring-fingers of young, sometimes lesbian, pregnant women. She'll leave that task to Dr. Chu (Kim Sun-kyung), the enigmatic and questionably ethical psychiatrist who respects her client's privacy more than the safety of random, future victims.

From the looks of the turnout at the lecture she gives on the modus operandi of serial killers, she probably has a book in the works too so she doesn't want to taint her research just to solve a crime. What I still can't figure out is whether her book is on sociopaths or anti-abortionists. As message movies go, H is one of the oddest anti-choice movies on record. The killer is motivated by a deep-seated memory of being an abortion that didn't work. (He can still recall the feel of the cold forceps.) The victims are primarily unwed pregnant women who, in theory at least, don't want their babies. A single virgin dies, too, though that's explained away as "confused thinking" on the part of the killer but given said killer's psychic powers, a more logical answer is that he was able to pick up on a deep-seated desire to get laid and not have a baby no matter what. And who hasn't felt that? If this all strains credulity for you, then H definitely isn't your kind of movie. If you're fine with experiencing suspense primarily through a well-crafted soundtrack (with some excellent '70s-style noir tracks from composer Jo Sung-woo), than H will be alright for you.

Saturday, May 14, 2011

I Saw the Devil: It's a Bittersweet Life That's More Bitter Than Before

I Saw the Devil is a high-octane thriller that's got something to teach if you can hear it over the accelerated beating of your heart. The lesson is this: A successful revenge is a Pyrrhic victory. When undercover agent Kim Soo-hyeon (Lee Byung-hun) decides to play cat-and-mouse with serial killer Kyung-chul (Choi Min-sik) who raped, murdered then dismembered Kim's wife (Oh San-ha) and many others, he has to deal with some casualties along the way. For each time he releases his prey only to stalk him again, some innocent bystander is likely to get hit, stabbed, or choked. (If you're really unlucky, you'll suffer all three.) Soo-hyeon also submerges himself in a heretofore unconsidered freaky-scary world where mass murderers crop up time and again as if a whole underground network of interconnected sociopaths existed just below society's surface. (David Lynch would have a field day with an American remake!) So while, Soo-hyeon's got high connections within the police force — his father-in-law is Squad Chief Jang (Jeon Gook-hwan), he's going to need to draw on more than those resources to beat Kyung-chul at his own game. You see, Kyung-chul's got powerful allies too, especially one old buddy — a good-natured cannibal (Choi Moo-seong), with a violent girlfriend (Kim In-seo) — who enlightens Kyung-chul over dinner re: Soo-hyeon's "hunter" mindset. This mealtime revelation allows Kyung-chul to turn the tables at least for awhile.

Both Kim and Choi turn in hypnotic performances: Kim as per usual takes a minimalist approach, executing tasks as a form of acting then showing flashes of deep emotion at crucial points like when he's leaving the mausoleum where his wife's just been entombed; Choi chooses a flashier approach, giggling tauntingly and staring furiously at anything that gets in his way. It's a nice balance. Kim grounds the film; Choi embellishes it. I've seen a number of Kim Jee-woon's movies before (The Good, the Bad, the Weird, A Tale of Two Sisters, The Quiet Family). I Saw the Devil definitely showcases what this director does best: an extended chase scene that's punctuated by artful depictions of violence filled with horror; an adrenaline-releasing thriller fueled by one believably psychotic personality. I'm thinking particularly of A Bittersweet Life which also features Kim as a nearly-invincible-and-unquestionably-wronged man trying to survive amid an army of fists, knives, and guns. I was a big fan of that earlier effort and I'm a big fan of this one too.

Friday, May 6, 2011

Lovers of 6 Years: Masochists for Eternity

Someone please pass me a razor blade. Lovers of 6 Years is one depressing romance. We're supposed to believe that the two lovebirds — Da-jin (Kim Ha-neul) and Jae-young (Kim Ha-neul) — are meant for each other because they share a few common interests: namely bickering, crying and cheating. Yet while misery loves company, I don't know that I'd recommend shacking up with a longterm partner because he or she makes you feel like crap and you do the same for him or her. There must be a better way to bond than commiseration. Not that Jae-young's alternative amour, Ji-eun (Cha Hyeon-jeong), comes across any better. She's a flirtatious sociopath who jokes about poisoning him and slicing him up into little pieces so she can take him in her new suitcase when she flies to Santiago. It's no wonder he wants to get back with Da-jin. But Da-jin definitely could do better.

Jin-seong (Sin Seong-rok), the guy with whom she has her reciprocal fling, is both taller and more talented than Jae-young. Even considering that he may be egocentric and eccentric, Jin-seong strikes me as one of those once-in-a-lifetime guys who are too-good-to-be-true if you don't believe you deserve the very best. And after six years with Jae-young, Da-jin's ego has been whittled down enough so that she doesn't think she's worthy of someone that great. That's my take. This is a woman who has reconciled herself to the idea that if she's invested six years of her life with a remorseless, cheating jerk who's more concerned with getting laid than he is about that lump in her breast, well then, she might as well spend the next sixty with him too. Familiarity is her comforter. Note to Da-jin: Familiarity also breeds contempt. (It's good to use cliches when describing a movie so full of them.) Co-writer/director Park Hyeon-jin also suggests that Da-jin might be pregnant by way of a scene early on in which Jae-young insists that they have sex without a condom and then a few more scenes which reveal Da-jin's subsequently unappeasable appetite. Coincidence? Probably not. It's possible that Da-jin subconsciously knows that she's knocked up and recognizes that Jin-seong, the handsome artist who's also illustrating her first novel, might not stick around if he finds out that her baby isn't his. Best to stick with the guy who caused it. If nothing else, you'll get child support.

Thursday, May 5, 2011

Monopoly: Neither a Crime of the Century, Nor a Movie for Tonight

Sigh. Why isn't Lee Hang-bae's Monopoly better than it is? Why? It has sections that are pretty interesting. It also periodically suggests complicated back stories for its characters — an attractive trio that's masterminding the biggest swindle in Korean banking history. I'm certainly predisposed to like lead character Kyung Ho (Yang Dong-kun): a gay computer nerd who's all-too-willing to throw his morals out the window for John (Kim Seong-su), the emotionally manipulative, American heartthrob who eventually shows his commitment by running over said tech geek's homophobic co-worker, then backing over the jerk a second time to make sure the job is done. (Since this is a Korean movie, there's no shortage of vomit to prove our hero is sickened by the action even as he's won over by John's devotion.)

I also admit a weakness for the complications that arise once you learn that the aforementioned amoral dreamboat is actually bisexual and married to Elly (Yun Ji-min), a cigarette-puffing vixen who sashays about in form-fitting satin that accents every delectable curve. But these three promising characters never end up being that deep and the performances are a little too one-note. I ended up thinking Kyung Ho should cry less, John should emote more, and Elly should consider learning how to blow smoke rings. Hey, someone's got to lighten up. Because one thing Monopoly lacks is a sense of humor. Lee takes his central crime pretty seriously and truth be told, the outlandish embezzlement he's concocted is little more than Office Space meets The Usual Suspects. Yes, I know that's a spoiler but since Monopoly isn't so great, wouldn't you rather know this movie's pedigree now than sit through 90 minutes and feel like you'd seen it before? Which actually gets me back to my original wish. I feel like Kyung Ho especially could've been a truly original character. It's not often you get to see an effeminate, figurine-collecting office drone break out of his downtrodden status and enact revenge fantasies, even if they fill him with regret. But as played by Yang, Kyung Ho never really sheds the mincing stereotype, except at the very end when he discards his identity completely. If you're angry because I've just dropped another spoiler, I have to ask you: Why did you continue reading after the first one?