Monday, November 28, 2011

Rolling Home With A Bull


소와 함께 여행하는 법  

(So-wa Ham-gge Ye-haeng-ha-neun Beom)

 

 •Directed by Lim Soon-rye (임순례)
•Drama
•106min
Opening Date : Nov 04, 2010



 Formerly known as 'How to Travel with a Cow'
A bachelor poet lives in a remote area of Kang-won province. He goes to sell a cow but the price is too low. He gets a call from his former lover, who married his friend seven years ago. His friend has died, and she asks him to come to the funeral. He goes to the funeral with the cow. The man, the girl, and the cow leave on a journey.




Production note

 
The film is based on the original novel by Korean author Kim Doyeon. Despite his father’s objections, an old bachelor and poet takes his cow to a cattle market. He fails to sell his cow and starts a journey to visit cattle markets across the country. On the road, he hears the news of a friend’s death. His dead friend and the dead man’s widow used to be his best friends. So he and his cow continue their journey with the widow.
The cow, which is a vital Buddhist symbol, represents a life of seeking the truth. In the film, the cow embodies friend, wife, karma, and even an image of Buddha. As life has its ups and downs, the main character is locked up at a police station overnight after his father reports him as a thief. The journey with a cow illustrates a life in search of the truth, and director Lim succeeded in describing an attractive life in her relaxed touch. (LEE Sang-yong)


Cast

Kim Yeong-pil 김영필 As Seon-ho (선호)
Kong Hyo-jin 공효진 As Hyeon-soo (현수)
Glutton 먹보 As Han-soo (한수)
Jeon Gook-hwan 전국환 As Seon-ho's father (선호 부친)
Lee Yeong-ih 이용이 As Seon-ho's mother (선호 모친)
Moon Chang-gil 문창길 As'Oh my god' monk (맙소사 스님)


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Saturday, November 26, 2011

On the Pitch


꿈은 이루어진다 (Kkoom-eun I-roo-eo-ji-da)

•Directed by Kye Yoon-sik (계윤식)
•Drama
•113min
Opening Date : May 27, 2010
Also known as 'Dreams Come True'
As the World Cup gets started in 2002, a North Korean squad commander (Lee Seong-jae) stationed at the DMZ who is crazy about football is frustrated that he cannot participate in the excitement in the South. He loves football so much that he even memorizes all the names of the members of the South Korean national team.

One night during a search operation in which the leader and his troops chase a boar to satisfy their hunger, they come face to face with soldiers from South Korea. It doesn’t take long for the soldiers to discover that they share a love of football and they begin secret radio communications so they can listen to matches together. When their secret is uncovered, the squad leader and his troops must find a way out of the situation.
Note
When the Korea-Japan World Cup kicks off in 2002, a North Korean squad leader stationed at the DMZ is frustrated that the political situation is preventing him, a football enthusiast, from enjoying the games. One day, the squad comes face to face with their archenemy—an armed South Korean reconnaissance squad—while they patrol the DMZ border! Tension is short-lived, however, when they find common ground in their mutual football fever. Eventually, secret radio communications begin, with the South suggesting the North Korean squad listen to match broadcasts with them through radio transmission. But the Frequency Monitoring Team detects the squad’s discreet correspondence with the South Koreans. Refusing to get his men involved, the squad leader turns himself in—and fearing for their leader’s life, the squad devises a plan for his escape.

Cast
Lee Seong-jae 이성재
Kang Seong-jin 강성진
Jeong Kyung-ho 정경호
Choo Sang-rok 추상록
Yoo Tae-woong 유태웅
Ki Eun-se 기은세

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Friday, November 25, 2011

Sooni, Where are You ?

내 남자의 순이 (Nae Nam-ja-eui Soon-i)

•Directed by Kim Ho-joon (김호준)
•Comedy
•91min
Opening Date : May 27, 2010

Nonstop comic variety. Find the beautiful woman!
A comic story of the mother-in-law Se-ra, the daughter-in-law Ra-mi, and Se-ra's son Kwang-soo, and Kwang-soo's friend Dong-gun, who all struggle to get a 5 billion-won diamond in their hands.
Cast

Park He-mi 박해미 As Mother-in-law, Se-ra (시어머니, 세라)
Shin-ee 신이 As Daughter-in-law, Ra-mi (며느리, 라미)
Lee Tae-seong 이태성 As Se-ra's son, Kwang-soo (세라의 아들, 광수)
Jeong Kyung-ho 정경호
Lee Joo-hwan-I 이주환
Han Cheol-woo 한철우

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Thursday, November 24, 2011

Hello, Schoolgirl: Older Man Likes Barely Legal Girl (But at Least He's Cute)

The problem with Hello, Schoolgirl is succinctly illustrated in a cafe scene during which the two main characters announce their ages: Yeon-woo (Yu Ji-tae) is 30; Soo-yeong (Lee Yeon-hee) is 18. A moment later, the meal continues only now he's replaced by an 18-year-old version of himself and she now looks like she's six. That brief, momentary fantastical transformation clues you into the disparity if you missed it when they said it out loud. He's way too old for her. Now you could argue that she's mature for her age (if she were but she isn't) or that they're consenting adults (if they were but according to Korean law she's not). I get where I'm supposed to make concessions. But despite its twee attractions, Ryu Jang-ha's romantic comedy kept me thinking that there's something wrong with a 30-year-old guy dating a young girl just shy of womanhood. Well, at least the Koreans have the decency to make him really cute instead of an out-of-shape, balding slob. I say, if you're going to go for older, go for hot. (I wish she'd gone for smarter and richer, too. Sadly, he's neither.) What else has he got working in his favor? He's a pleaser! The old couple who own the dry cleaners love him; the realtor who helped him to get an apartment finds him charming, too. Now if he can stop courting underage girls via sexting, maybe he can stay out of prison.

There's a secondary plot involving 29-year-old jaded photographer Ha-kyeong (Chae Jeong-an) being pursued by a 22-year-old masochist named Sook (Kang In). He likes her because she's pretty. She tolerates him because he wears the same shirt every day. That's it. It's all about superficial attractions here. In a way, Hello Schoolgirl is about two kinds of predators: one lurks; the other stalks. And if you think I'm imposing a creepy interpretation, take a look at the skulker's depersonalized, nearly empty apartment that reeks of smoke, or the discomfort he displays when the girl's mom sees him holding hands with his student-love, or the lack of outrage he show when his friend asks him if it's statutory rape. There's something wrong with this guy. But then, I often feel that way with romantic comedies. I'm not so easily convinced two people are soul mates who need to defy society's constraining conventions.

Maybe Hello, Schoolgirl is secretly funded by an Asian branch of NAMBLA, the North American Man-Boy Love Association. (SAMBLA?) Although the main couple is a man and a girl, this rom-com is definitely asking us to question the age of consent, and while the spook factor on this one is really hard to overcome, you have to admit this cast exudes so much charm you hate to not let them all end up as couples. She'll be a child bride. And by the end of the movie, she's of age. Start throwing the instant rice.

Tuesday, November 22, 2011

Magic

요술 (Yo-sool)

•Directed by Koo Hye-seon (구혜선)
•Screenplay by Koo Hye-seon (구혜선)
•Drama
•95min
Opening Date : Jun 24, 2010
Synopsis

To Myoung-jin, who is merely a cello student at his music school, Jung-woo is seen as the most brilliant musical genius. When Myoung-jin suddenly receives news to audition alongside with Jung-woo, he asks Ji-eun to be his accompanist.

Myung-jin is surprised to learn that Ji-eun has already been asked by Jung-woo to be his accompanist, and to play the same piece at that, but Ji-eun is unable to refuse their touching offers. Come audition day, Jung-woo and Myoung-jin are both unable to audition, due to Jung-woo’s grand mistake. Shortly after, Jung-woo faints while playing Ji-eun’s composition, “Magic,” and Myung-jin has no choice but to continue in his place. As Myung-jin nurses Jung-woo back to health, he gives him musical lessons.

As Jung-woo’s health deteriorates, he gradually begins to learn about the depth of “Magic.” Jung-woo asks Ji-eun about the truth of “Magic,” but she hesitates; the more he wavers from Ji-eun to Myung-jin to “Magic,” Jung-woo waxes cynical. Ji-eun, unable to withstand Jung-woo’s change, runs out, but Jung-woo stops her from doing so. Myung-jin, on the other hand, cannot hide his feelings anymore and kisses Ji-eun...
Cast

Lim Ji-gyoo 임지규 As Myeong-jin (명진)
Seo Hyeon-jin 서현진 As Ji-eun (지은)
Kim Jeong-wook 김정욱 As Cellist, Jeong-woo (첼리스트, 정우)
Son Yeong-soon 손영순 Choi Il-hwa 최일화

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Monday, November 21, 2011

Prosecutor Princess

검사 프린세스 (Geomsa Princess)

 Chinese Title : 检察官公主
Previously known as: 검사 마타하리 / Prosecutor Mata Hari
Genre: Romance
Episodes: 16
Broadcast network: SBS
Broadcast period: 2010-Mar-31 to 2010-May-20
Air time: Wednesdays & Thursdays 21:55
Broadcasting dates :
Mar 31, 2010 ~ May 20, 2010


Synopsis

Ma Hye Ri is a woman with an excellent memory and ability to focus, which allowed her to pass the bar exam with ease. Despite her talents, she is more interested in being fashionable and dislikes hard work, so she is far from being an ideal prosecutor and has doubts about her suitability for her job. Through her conflicts with senior colleages and struggles with difficult cases, however, Hye Ri gradually matures into a brilliant prosecutor with a sense of duty and justice.
Cast
Kim So-yeon as Ma Hye Ri
Park Shi Hoo as Seo In Woo
Han Jung Soo as Yoon Se Joon
Choi Song Hyun as Jin Jung Sun
Yoo Gun as Lee Min Suk
Choi Sung Ho as Chae Ji Woon
Lee Eun Hee (이은희) as Lee Jung Im
Lee Seung Hyung as Cha Myung Soo
Kim Sang Ho as Na Joong Suk
Choi Jung Woo as Ma Sang Tae
Yang Hee Kyung as Park Ae Ja
Min Young Won as Lee Yoo Na
Park Jung Ah as Jena Ahn
Sung Byung Sook (성병숙) as Han Mi Ok
Kim Ji Won as Yoon Bin
Baek Seung Hyun

Production Credits
Chief Producer: Kim Young Sup
Director: Jin Hyuk
Assistant Director: Park Sun Ho (박선호)
Screenwriter: So Hyun Kyung

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Sunday, November 20, 2011

Visitors: When a Filmmaker Works in Charcoal, This Is What Happens

The three films in Visitors are best described as discarded sketches. By which I mean, they come across as both unfinished and unwanted. The first, Japanese director Naomi Kawase's "Koma" definitely feels as though she's testing out ideas for a bigger film, more than making an actual short movie. Characters are underdeveloped, and the story -- about a young man who comes to pay his respects to his grandfather's former employer only to find himself seduced by a crazy woman who may be misinterpreting him as her spirit bridegroom -- is skeletal and would require more fleshing out to be compelling. Watching "Koma," you definitely pick up on Kawase's background as a documentarian, what with its stories within stories, and its personalization of history, even its use of nature photography as segue. But what is she documenting exactly? An aborted creative process? Dunno.

Next up: Hong Sang-soo's "Lost in the Mountains." It's the most successful of the bunch but it's also the most disappointing because it seems to end halfway. Hong, on familiar ground to be sure, relates the woes of a young writer (Jeong Yu-mi) who keeps plotting her own disappointments: first by popping in on her best friend unexpectedly, then by calling up the married professor (Moon Seong-geun) with whom she had an affair, and then by sleeping with her humpy ex-boyfriend (Lee Seon-gyun) whose career has outstripped her own. A chance encounter involving all four has her tossing aside a coffee cup belligerently and driving away but you feel that the story is really only beginning. This is Act I. Where is Act II? Come to think of it, don't most movies have three acts? I think so!

The final entry is "Butterflies Have No Memories" by Lav Diaz. It's hard to believe that Diaz, like his counterparts here, couldn't find better actors ("stilted" would be kind) or a better cinematographer ("murky" would be generous) or a composer to add some drama where little is found but even if he had, no supporting talent could've rescued this script which is really a second draft. "Butterflies..." might be too short to qualify as a feature film but even so it takes a good third of the movie to even introduce the plot. Quasi-political, the central action concerns some poor guys who decide to don conquistador masks and kidnap their better-off Canadian cousin as a way to make money. This is an instance where you wish Diaz had been invited to a writer's lab at Sundance to refine his tale of the downtrodden losers out to make a quick dime. Was his international application rejected? Who knows?

I think what frustrates me most about Visitors, though, is that both Diaz and Kawase -- Kawase especially -- have chalked up some serious awards yet as an introduction to their work Visitors left me feeling that maybe the awards were misprized. If a short anthology is designed to give a quick taste of a few artists, then Visitors has left me looking for a meal elsewhere. May I see another menu?

Thursday, November 17, 2011

Dae Mul

대물 (Dae Mul)

 Title: 대물 / Dae Mul
Chinese Title : 大物
Also known as: Big Fish
Genre: Romance
Episodes: 26
Broadcast network: SBS
Air time: Wednesday & Thursday 21:55
Broadcasting dates :
Oct 06, 2010 ~ Dec 30, 2010

Synopsis

Seo Hye Rim is a former broadcast announcer who became the first female president of Korea.

Cast

Ko Hyun Jung as Seo Hye Rim
Kwon Sang Woo as Ha Do Ya
Cha In Pyo as Jang Tae San
Lee Soo Kyung as Jang Se Jin
Lee Soon Jae
Park Geun Hyung
Im Hyun Sik
Kim Tae Woo as (Hye Rim’s ex-husband)
Park Hae Mi
Production Credits
Original Work: Comic by Park In Gwon
Production company: Lee Kim Productions
Director: Oh Jong Rok


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Tuesday, November 15, 2011

A Better Tomorrow: The Beauty of Not Being Original

Art movements have their renaissances, theaters have their revivals, neighborhoods have their rebirths. But movies, movies have their remakes. As re-creations go, this is certainly the least glamorous of terms. And after watching Song Hae-sung's A Better Tomorrow, the Korean remake of John Woo's landmark film of the same name, it got me to wondering: Why do movie remakes -- also called rehashes -- get immediately stigmatized? It certainly isn't as if we generally leave most movies, commenting "How original!" Isn't it enough to come away from a movie saying, "How excellent!" That's how I felt after watching Song's A Better Tomorrow. But then I'd never seen the original.

But should I have? Would I have enjoyed the film more? And are remakes made simply as byproducts to compare to their progenitors? Is it wrong to re-make a movie because a director thinks the material might speak to a different generation or to a different culture or have something in it that now has something new to say? Should you chastise that director for not optioning a wholly new script, and instead choosing a really good story dying to be retold? When you look at the parts of the first A Better Tomorrow, it's not as if they're pioneering ideas either. We're all familiar with the story of two conflicted brothers -- one a cop (Kim Kang-woo), the other a criminal (Ju Jin-mo). We've all heard the one about the sleazy backstabber (Jo Han-sun) who rises to the top of the mob through nefarious means. We've also cheered on the anti-hero (Song Seung-heon) whose luck runs dry as he goes out in a blaze of well-amunitioned glory. Woo's script -- from which I'm assuming this draws heavily since Woo is credited as both producer and co-screenwriter -- isn't good because it's got new ideas. It's good because it's well-constructed. It makes sense to use it again.

Song's pic updates the recipe somewhat. (How much, I neither know nor care so I'll just make educated guesses.) Now the two brothers are North Korean defectors; their tough-love aunty figure (Kim Ji-yeong) runs one of those eatery tents that I've never seen outside Korean movies and scifi pics with an apocalyptic bent. Let traditionalists deride Song's remake as a retread and those who prefer this A Better Tomorrow celebrate it as a snazzy re-invention. For me, it's just a really good mafia movie tackling all the expected themes of family, betrayal, devotion, greed, redemption and respect amid a deliciously bloody fantasy of gunfire. You watch the one-man vigilantism of the righteous partner or the high-adrenaline final shootout between the self-chastising brother and the thug who's trying to kill his younger brother then tell me whether you care whether it's ever been done before. I sure don't. More likely, you'll be repeating what I wrote earlier: "Excellent! Excellent! Excellent!"

Monday, November 7, 2011

My Happy Home


즐거운 나의 집 (Jeulgeowoon Naui Jib)

 Chinese Title : 我的快乐家庭
Also known as: Home Sweet Home / My Sweet Home
Genre: Mystery, melodrama
Episodes: 16
Broadcast Network: MBC
Air time: Wednesday & Thursday 21:55
Broadcasting dates :
Oct 27, 2010 ~ Dec 16, 2010

Synopsis
Kim Jin Seo and Mo Yoon Hee are high school classmates and rivals whose different family backgrounds shaped their characters and their paths towards love and success in adulthood. Jin Seo develops a warm and cheerful personality as well as superior intellectual ability, while Yoon Hee becomes a beautiful woman with fatal charm. Both women love Lee Sang Hyun, an extremely kind but indecisive man who used to date Yoon Hee but later married Jin Seo. When Yoon Hee’s husband, Sung Eun Pil, dies under suspicious circumstances, Jin Seo finds herself becoming involved in the investigation. The process is complicated when the young homicide detective Kang Shin Woo becomes romantically interested in Jin Seo.
Cast
Kim Hye Soo as Kim Jin Seo
Hwang Shin Hye as Mo Yoon Hee
Shin Sung Woo as Lee Sang Hyun
Lee Sang Yoon as Detective Shin Woo
Yoon Yeo Jung as Sung Eun Sook (Eun Pil’s sister)
Kim Gab Soo as Sung Eun Pil (Yoon Hee’s husband)
Lee Eui Jung as Kim Jin Hae (Jin Seo’s sister)
Song Young Kyu as Heo Young Min (Jin Hae’s husband)
Jung Hye Sun as Park Dool Nam (Jin Seo’s mother-in-law)
Nam Da Reum (남다름) as Lee Min Jo (Jin Seo’s son)
Jung Joo Eun as Han Hee Soo
Lee Seol Ah as Sung Eun Jae
Choi Soo Rin as Jo Soo Min
Lee Jung Sung as Lawyer Go
Jung Won Joong as Tak Kyung Hwan
Jung Jin Gak as Woo Jang Soon
Song Min Hyung (송민형) as Choi Byung Dal

Production Credits
Producer: Han Hee
Director: Oh Kyung Hoon, Lee Sung Joon (이성준)
Screenwriter: Yoo Hyun Mi

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Friday, November 4, 2011

Come, Closer


조금만 더 가까이 (Jo-geum-man Deo Ga-kka-i)

•Directed by Kim Jong-kwan (김종관)
•Screenplay by Kim Jong-kwan (김종관)
•Comedy/Omnibus/Crime
•106min
Opening Date : Oct 28, 2010
This omnibus film portrays various conditions of the heart through the romances and breakups of five couples: Se-yeon is in love with a gay man; two ex-lovers find it difficult to cut ties; Yeong-su leaves her boyfriend for another man; and Hye-yeong falls for a hopless man. Starring Yoon Kye-sang, a former member of the pop group g.o.d.




Cast
Yoon Kye-sang 윤계상 As Hyeon-oh (현오)
Jeong Yu-mi 정유미 As Eun-hee (은희)
Yoon Hee-seok 윤희석 As Musician, Joo-yeong (뮤지션, 주영)
Yozoh 요조 As Musician, Hye-yeong (뮤지션, 혜영)
Jang Seo-won 장서원 As Woon-cheol (운철)
Oh Chang-seok 오창석 As Yeong-soo (영수)

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