Voice: Ghost Girls Gone Wild

Complain all you want about the misery of the paper cut. In Choe Ik-hwan's horror movie Voice, pretty young thing Young-eon (Kim Ok-vin) has her throat slit by a flying piece of sheet music. Now that stings! And before you have time to question whether that's even remotely possible, this fourth installment in the Whispering Corridors series will have you completely wrapped up in its strange tale of lesbian girl ghosts and Darwinian power struggles. And it's not just dead dolls doing battle either. You see, Young-eon's gal pal Seon-min (Seo Ji-hye) is being lured away from a posthumous romance by the high school's resident kooky girl Cho-ah (Cha Ye-ryeon) who, as luck would have it, shares Seon-min's recently acquired ability to hear voices from the grave. Cho-ah at least has the sense not to chat with spirits in front of her classmates -- a year in the madhouse provides useful life tools -- and now she has to impart that wisdom to her new BFF before some angry phantom shoves the two girls down an elevator shaft. So who do you trust? Your old best friend who never invited you over her house but has a promising future in opera or you new best friend who's clearly crazy? Which one would benefit your own career in radio?

The True-taste Show

트루맛쇼 (Te-roo-mat-syo)

 Directed by Kim Jae-hwan (김재환)

Screenplay by Kim Jae-hwan (김재환)

•Documentary

70min | Release date in South Korea : 2011/06/02
Synopsis
Opening Date : Jun 02, 2011

It starts with the challenging narration, “I know why the food at restaurants introduced on TV isn’t that good”. The film shows us the process of setting up a restaurant to expose the truth about food programs and liaising estaurants for a show. Let’s take a look at the astonishing reality of food shows.

S Diary: Love Is Tragic, Love Is Funny, Love Is Something Else

Sheesh. S Diary is one strange hybrid. Half romance, half comedy, the movie doesn't congeal as a romantic comedy because it tends to keep its genres separate. The first half is lightly serious stuff: a doleful tale of a young woman (Kim Seon-a) out to make boyfriends of three men she's perhaps not suited for. And as she gets closer to something deeply romantic, the movie gets slightly heavier with each subsequent rejection carrying with it a deadlier, more debilitating sting. By the third heave-ho, this unlucky lady is a real casualty of the heart. That's also when the writer-director Kwon Jong-kwan defies expectations and jumps tracks by turning what was a melancholic romance into a humorous revenge fantasy. Gone is the sat-upon sad sack unable to get a guy; in her place is a willful nut job determined to get financially recompensed for the emotional expenditures visited upon her by the choir master (Lee Hyeon-woo), the cop (Kim Su-ro) and the graffiti artist (Kong Yu). Kwon doesn't leave the weightier first half behind entirely though. There's a nice coda too in which our protagonist, a budding authoress, learns that you can't rewrite your past and that love is something best experienced in the moment. Try as we might to define our lives, we're better off just experiencing them.

Chunhyang: Famous Courtesan Returns Better Dressed, Less Tragic

Oh no, not her again. Yes, it's another movie about Chunhyang (Lee Hyo-jeong), Korea's favorite daughter of a hooker, bride of the governor's son. And once again, she's too proud, too loyal, and too good for her own good. Because of that, she's still getting jilted when her young husband moves to Seoul. And she's still getting beaten by cudgels when the new governor (Lee Jung-hun) comes to town. So what does director Im Kwon-taek bring that's new to this torturous romance? A much younger leading man (Cho Seung-woo), lots of fabulous hats and robes, and a singer who narrates the action in front of a contemporary audience that acts like an Evangelical congregation. There's less tension here for both real and filmed audiences, as the director rushes the initial courtship as well as the subsequent punishment. In place of the venial and the penal, Kim shares excessive footage of the characters getting from Point A to Point B, which since they're always splendidly costumed, comes across as a dynastic fashion show in the great outdoors. There's also a strange brief moment when rainbow sperm shoot across the night sky but that aside, Kim's version is adamantly folksy, not flashy. Of the three renditions of this popular tale I've seen, this one's the least popular.

Cadaver: Have a Heart; On Second Hand, Have Five

K-horror rarely frightens yet it does regularly disturb. In director Son Derek's Cadaver, the disquieting moments all occur at a teaching hospital where six cocky medical students find their boozy disregard of the Hippocratic oath -- on the eve of getting a corpse for dissection -- will lead to a series of gruesome deaths, all seemingly self-inflicted by a scalpel. As each once-giggly undergrad succumbs to the merciless knife, creepy skeletons emerge from their collegial closets like the inhumane heart transplant done by one student's dad, the necrophiliac longings of another student (who happens to be the mystical son of a funeral director) and the patricide by yet another who has trouble sleeping. (Can you blame her?) As to the inappropriate posthumous grope of the corpse's breast, this may be more medical than criminal. How, after all, does formaldehyde affect the fatty tissue of the tit? Some budding doctors need to know! From what I could tell (and Cadaver can be confusing), one guy (whose worst crime may be two-timing) escapes the curse of the cadaver. As to the rest, they're guilty as charged if less so than the possessed serial murderer among them.

Over the Rainbow: Weathering Out Seriously Delayed Gratification

Jin-su (Lee Jung-jae) has one major problem in the Romance Dept.: a lack of nerve. This meteorology student is so damned shy he can't express his feelings for a co-ed (Jang Jin-young) in his college photography club which leaves her to pair off with his best bud (Jung Chan) when this classic deep-and-silent type runs off to join the army. The military doesn't make a man out of Jin-su either. It takes a car wreck causing amnesia to do that. Afterward, super-duper slowly, the now-erratic weatherman rebuilds his memories of some mystery woman named "Rainbow" (actually non-memories of him not saying anything and not doing anything) thereby getting the gumption to finally ask this love of his life on a date. Cue credits! What should be a happy ending is so exasperatingly delayed that you're left raging at the screen about how they're a couple of dolts who don't deserve love, that he's eventually going to get fired from the news station because he's incompetent, and she's going to grow bored with him as well as her job in the lost-and-found section of airport security. Over the Rainbow is written, directed and prolonged by Ahn Jin-woo.

Please Teach Me English: No White Actors Speak Korean

I got this Kim Sung-su movie not because of how much I loved his Musa: The Warriors but because I honestly have begun to feel guilty about not knowing any Korean. I thought maybe the classroom scenes in Please Teach Me English would include simple translations like how to say "My name is Drew" or "It looks like rain." (It's "Che eerum-un Drew imneeda" and "Piga ol goht katahyo" if you're curious although I had to look up those two phrases online.) But there was nothing to learn like that here. Not only was I not building my Korean vocabulary but I was repeatedly cringing as actress Angela Kelly (who plays the English teacher) was having her Korean lines dubbed by another performer. Oh, the horror! The shame! With no useful lessons to be found, this hokey film must be judged as rom-com alone. Well, it fails as a romance since there's no chemistry between the pining dork of a clerical cog (Lee Na-yeong) and the cute shoe salesman (Jang Hyuk) who's eager to learn English because his long-list sister is returning from America. And it fails as a comedy since it's laughs are based on the idea that it's funny to see a pretty actress act goofy while wearing eyeglasses. I bet an actual instructional video would be funnier. If I learned the word for love, it would be more romantic too.