
Dramatic closeups — a finger pushing an elevator button, a hand holding a white telephone receiver — could've played out as hyper-meaningful symbolism apropos of VH1 and MTV. It's easy to picture Kyeong-a strutting around in her turquoise fan-plastic raincoat and rapping about drugs, pimps and poverty. Considering that two of the main characters are singers, the R&B treatment would've allowed Hitoshi's inner monologues, here whispered like Barry White intros, to build to soulful meditations on love found, lost, and reborn. Why Run 2 U never actually crosses over to kinetic pop is a mystery. Seductions at the disco. High speed races on the freeway. Even a music video shoot! Does anybody else see major opportunities for a groovy soundtrack and some lip synching? I'm not sure how to deal with Massako (Maju Ozawa), the mafia daughter in love with the gay boxer, except on the editing room floor. Considering how bad she is, revamping this movie as a hip-hopera means having a legit reason to cut her part. That's what they did in the music video recap that's an extra on the DVD. And yes there really is one. And no, it's not very good either.
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