Showing posts with label cheon jeong-myeong. Show all posts
Showing posts with label cheon jeong-myeong. Show all posts

Saturday, July 25, 2009

Hansel & Gretel: The Babies of Beelzebub


Childhood, smilehood. Put it that way, and it all sounds so cloyingly sweet, doesn't it? Well, it's just that kind of sickly preciosity that Yim Pil-sung is scrutinizing in his K-horror remake of the Grimm fairy tale. His Hansel & Gretel is no faithful adaptation, however, dear reader, for despite the title, there are three kids, not two, and the carnivorous witch is long gone leaving the children to lure unsuspecting adults to that cozy-looking house in the woods. Babysitters, beware! The oldest child (Eun Won-jae) has diabolical tantrums; the middle one (Sim eun-kyung) struggles with weird sexual boundaries; and the baby (Jin Ji-hee) vacillates between creepy and cute -- as all tykes tend to do. Since mom and dad can't set proper boundaries in absentia, their latest adopted uncle (Cheon Jeong-myeong) must take on the duties of childcare which here means balancing genuine affection with a growing realization that these three are akin to Satan's spawn. When an ungodly deacon (Park Hee-soon) enters the scene, things go from bad to worse. Suddenly, siding with sociopathic delinquents seems like the lesser of two evils. Wicked comes in all sizes and age groups evidently. Sometimes, you should stab indiscriminately. And run!

Saturday, July 5, 2008

Les Formidables: This Brotherhood Knows No Bounds


Nothing pleases like a tale of redemption. And in Les Formidables, writer-director Cho Min-ho has made an action-packed one in which a degenerative detective (Park Joong-hoon) and a principled criminal (Cheon Jeong-myeong) have a shared lesson in selflessness and the meaning of true friendship. Unlike his earlier buddy flick Jungle Juice (which was a guilty pleasure at best), Cho's Les Formidables wastes no time setting up its story of two men on the run by looking for laughs in dorky adolescent humor. Brutal and spare despite its corkscrew narrative, the movie opens with a spectacular fight scene that leaves Park's cop with a battered head, a loss of dignity, and no partner. Next up is Cheon's just-as-rapid descent from self-employed short-order cook to bloodied, bewildered fugitive. What keeps the heart pounding from then on is Cho's skill in tightening the net around the duo by having one side of the law then the other get closer and closer to capturing and/or killing. That each man has a friend on on the inside and a woman on the outside who'll go to great lengths (one for love; the other, for kicks) ensures that this action movie outpaces its competition in the genre. The bobbypin scene qualifies as a classic.