Showing posts with label gong yoo. Show all posts
Showing posts with label gong yoo. Show all posts

Monday, July 14, 2014

Silenced: Making Noise About Crimes Against Deaf Children

You won't find me defending any criminal justice system when someone says it's unfairly prejudiced or arguing with the agitator who claims that the rich will always get away with the most heinous crimes or debating about whether there's a crime worse than child molesting. Yet while director Hwang Dong-hyuk and novelist Cong Jee-young and I might agree on such matters, Silenced -- the movie Hwang's made on Cong's book -- still left me feeling icky, not validated in my worldview. I can't speak to Cong's novel (The Crucible) but Hwang's depicted cruelties and perversions last a little too long for my taste. When a young boy is beaten by a teacher, the slapping and kicking goes on for an inordinate time; later a scene of a faculty member caressing a young boy's bare bottom is shot in a graphic manner that literally makes you sick. Perhaps that's Hwang's intent, to show the heinousness of the crimes, to not let us shy away from just how ghastly the tortures inflicted on the young deaf students of a special ed school in Mujin truly are.

This isn't simply a work of the imagination either. Cong's serialized internet sensation The Crucible was based on true events: From 2000 to 2003, five teachers and the principal of Gwangju Inhwa School raped or otherwise sexually assaulted at least nine of their students, with nary one of the perpetrators receiving a heavy sentence. To the contrary, some of the teachers eventually returned to their jobs. To its credit, the film remedied that somewhat as the public outcry following its release resulted in a resurrection of the case and stiffer punishments for some of those involved. Helmed by Gong Yoo as the new teacher who discovers the crimes and Jeong Yu-mi as the human rights activist who joins his fight in court, Silenced is important for what it accomplished. I imagined it may have also ruined the life of Jang Gwang who is so creepy as a pair of twin pedophiles that I can imagine people spitting at him on the street, his portrayal of unrepentant perverts is so complete.

Sunday, December 22, 2013

Finding Mr. Destiny: She Left Her Heart in Rajasthan

Must I eschew all stereotypes and accept that travel-agent-turned-matchmaker Han Gi-joon (Gong Yoo) is straight even though he plays with a fairy wand in his office, has a fabulous collection of cardigan sweaters, and hasn't dated any women his entire adult life? Must I dig a bit deeper to comprehend his attraction to Seo Ji-woo (Lim Su-jeong), a thankless stage manager who doesn't own a hair brush or an iron and who daydreams all the time about one chance romance ten years ago with a Korean guy in India? Worst of all, must I once again watch as the talented Jeon Soo-kyeong is relegated to a bit part, despite her kick-ass comic chops and Broadway belt of a voice? Well, if I'm streaming Finding Mr. Destiny, then yes, I really do.

Director Chang You-jeong's romantic comedy asks you to make an endless list of concessions outside of this too, probably the most difficult being that the flashbacks to India, involving Ji-woo and Gi-joon's doppelganger, actually have the makings of a pretty sweet little movie. Set in Blue City (better known as Jodhpur), these segments have a real freshness, in part because it's so rare to see a Korean flick with mainly non-Koreans as well as one set outside the mother country. You can easily imagine warming up to the slow-burn between Gi-joon's double and Ji-woo's younger self as they fall in love amid a swirl of colorful saris or under an ornate archway or across a plateful of steaming Pyaaz Ki Kachoris. If Finding Mr. Destiny were about these two summer lovers who Fate split apart then paired up again, I'd probably end up with a case of the warm fuzzies. You'll have to take a few tokes on a hookah to see that movie play out. This one is more about a child singer whose career took a nosedive when she grew up so she tabled her dreams and took a job backstage and is now about to settle for the cute guy who's been pursuing her. In the sequel, I imagine she'll eventually find her husband in bed with her single dad (Chun Ho-jin). I'm more than happy to help write that screenplay.