Showing posts with label kang je-gyu. Show all posts
Showing posts with label kang je-gyu. Show all posts

Saturday, December 1, 2007

The Brotherhood of War: Boy's Life


I never considered that the love that dares not speak its name could be that between two brothers but such is the supposition of The Brotherhood of War, Kang Je-gyu's wacky war pic about two siblings drafted into service (and a weird battle of wills) during the Korean War. The opening sequence has the two young men feeding each other, sharing a popsicle, and fetishizing shoes. What with the string section in the background, you almost expect to see a class-usurping gay romance unfold before your disbelieving eyes. Instead, amid the prettily photographed explosions and hand-to-hand combat, what transpires is the making of a warrior—and a ruthless, bloodthirsty, wild-eyed one at that. Naturally, the younger, prettier sibling (Won Bin) is the conscience of the movie and the hunkier older one (Jang Dong-kun) is the fearless fighter. But the baby brother cries so much and seems so unappreciative of the butch one's self-sacrifices, perverse and self-aggrandizing as they might end up being, that you feel disappointed that the moralizer's head isn't blown off in some artful fashion with snow coming down from above and grenade-propelled dirt rising up from below. Can't blame communism for that.

Saturday, November 10, 2007

Shiri: She-bang She-bang


Shiri, Kang Je-gyu's enjoyable political thriller, has a riveting opener: With barely a word of dialogue, an extended montage of shooting, stabbing, screaming, running in the rain, and eating slop introduces us to the dehumanization undergone by a North Korean rebel military outfit. Yet the star pupil of this factional force isn't Pyongyang's answer to Sylvester Stallone; it's Kim Yunjin, the same lovely actress who made a splash stateside with her role in the cult series Lost. To call her character in this film a femme fatale strikes me as missing the point. Such an assertion just cheapens her antiauthoritarian convictions...or the effectiveness of the brainwashing. (That's your call.) But as she kill, kill, kills, she's destined to break as many hearts as she shoots because she can't shed her convictions as easily as her disguising wig. Though this flick has some slow sections before the big shoot-em-up in the stadium, it's also got some unexpected treats like a makeout scene in an aquarium and an excerpt from a Korean production of Guys and Dolls. The light military protection of a newly discovered, scent-free liquid bomb is an improbable plot point but from the looks of the resultant explosions perhaps that material was overhyped.