Showing posts with label kim seung-woo. Show all posts
Showing posts with label kim seung-woo. Show all posts

Sunday, March 7, 2010

Woman on the Beach: Writing What You Know When You Know Nothing


Writer's block is a drag. But when the condition becomes the inspiration for a movie, like it does in Hong Sang-soo's arty Woman on the Beach, audiences tend to suffer right alongside the struggling screenwriter. Admittedly, the case depicted here isn't a particularly crippling or painful one: Hong's stand-in (Kim Seung-woo) is able to work through his creative paralysis in less than a week thanks to some trusty tools familiar to many artists (and moviegoers who frequent biopics of same). How's he do it? Well, he betrays his close-friend/producer (an underutilized Kim Tae-woo) by sleeping with his girlfriend (Go Hyun-jung) then betrays his new girlfriend by seducing a lonely divorcee (Song Seon-mi). Blame it on the soju! As portraits of womanizing artists go, Woman on the Beach is fairly tame stuff because the creative cad at its center neither ruins anyone's life nor exhibits self-destructive behavior on a grand scale. He just makes the lives of those around him a little messy and his own life, a little lonely. We can only hope that the art which he produces by stirring up all that trouble is better than this document of his creative process.

Saturday, July 18, 2009

Yesterday: Tomorrow Is Looking Doubly Depressing Today

The year is 2020 and two kindred spirits (Kim Seung-woo and Kim Yunjin) raised during the 1980s are having a rough time of it. Consider the headaches, the memory lapses, and their inability to have a sparkling conversation. A desperate, combined search for their father and a serial killer (Choi Min-Su) isn't about to make their lives easier. And despite all the years that have passed for them (and for us), tomorrow looks suspiciously like yesterday. Cops still fire machine guns, fat girls still sing in discos, and everyone still loves their cellphones -- which now come with constant advertising! In this all-too-familiar future, the most screenworthy character is secondary, a tough lady cop named May (Kim Seon-a) who likes to shoot firearms in a short sporty haircut and a tight-fitting leather tanktop. Maybe in some alternate universe, audiences will get to learn her storyline too and movies -- like video games -- will come with multiple plots we can follow and not just the one chosen by director-writer Jeon Yun-su. For today, we were stuck with Yesterday, his middling scifi flick about three siblings drowning in a messed up gene pool. For something more buoyant, check out Jeon's delightful comedy Le Grand Chef.