Showing posts with label yun je-mun. Show all posts
Showing posts with label yun je-mun. Show all posts

Sunday, March 30, 2014

Fists of Legend: Their Friendship Has a Fighting Chance

Fists of Legend has a great central premise -- a reality show in which middle-aged men fight each other and professional mixed martial artists in an attempt to reclaim the "legendary" status they once had as teens. Some win; most get their asses whupped. It's a concept so good that you'd think the movie was based on an already-existing, internationally franchised TV series. Au contraire, the screenplay is based on a popular Korean webtoon. Such humble beginnings! Perhaps a reality TV series lies ahead? Let the network bidding wars begin... In the meantime, actors Hwang Jeong-min, Yu Jun-sang and Yun Jae-moon bring a certain reality to the pseudo-sports event -- and the back stories that lead to the squared circle -- with naturalistic performances weighted by the disappointment that comes from being halfway through a life that you're only experiencing halfway.

Hwang's character is the owner of an unsuccessful noodle shop; Yu plays an overlooked publicist for a construction company; Yun, a tattooed ex-con. Way back in the day, they were The Three Musketeers -- one an Olympian contender; another the toughest kid at school; the final, the toughest kid at that school's rival. The only one in their crowd to have succeeded -- the fourth musketeer played by Jung Woong-in -- has evolved from spoiled rich kid to unscrupulous business magnate whose abuse of wealth and power has only gotten worse over time.

Bullied by a television producer (Lee Yu-won) who should be someone's love interest but isn't, the three non-rich, now-estranged friends are recruited for a mega-match of middle-aged mixed martial artistry that promises $200,000 for the winner (and ratings galore for the struggling producer). Through a series of flashbacks -- ironically, better acted than the present-day scenes -- you learn why the friendships fell apart and see what dreams were crushed along the way. The takeaway? Big-eared Hwang and his pouty young counterpart Park Jung-min were the coolest then and now. But does the most likable character win? This is a Korean movie after all. You'll have to watch it to see.

Thursday, November 28, 2013

Antarctic Journal: Get to the Point (of Inaccessibility, That Is)

I'd never heard of a "point of inaccessibility" before Antarctic Journal. Evidently, the term refers to a geographical location that's extremely difficult to access, often because of its distance from the coast. Reaching such a landmark is a source of pride for explorers because it's so challenging. For the general public, however, there's little to recommend a POI (as it's sometimes called). The same could be said for Antarctic Journal, the pseudo-horror flick by director Yim Pil-sung (and co-written by auteur Bong Joon-ho). It's for extremists only. In other words, if you're committed to being a completist and seeing every movie starring Song Kang-ho then then you're eventually going to have to watch this dud about a South Korean crew searching for the South Pole's POI.

Which isn't to say that Song isn't good. As the merciless captain who hallucinates memories of his son's suicide when he isn't letting his crew members die one by one, the actor keeps the action grounded, which isn't easy given how much appears to be shot in front of a green screen. Keeping it real can only take you so far though, and what is real, really? Not the sudden nose bleed that he gets at one point. Not the novice (Yu Ji-tae) who he cavalierly bequeaths the ominous British expedition diary that they find in the snow. Not the cynical cohort (Yun Je-mun) who can't persuade anyone how crazy the captain obviously is. Not even the cheerful radio operator (Kang Hye-jeong) who flies off in a search helicopter when captain and company "vanish into thin air." I'm not saying, Antarctic Journal needed to be a naturalistic take on a devastating expedition, but shots of a frozen eyeball and a ghostly woman's hand come across as pretty random and just leave me wondering whether the film is about to take a serious left turn. Maybe it did. Over and over. Which is another way of saying Antarctic Journal just goes in circles. And made me rethink my initial plan to curate a Song movie marathon, despite how wonderful I still think he is.